Part of the Sammlung Goetz is a series of works on paper by Rodney Graham, created between 2004 and 2006 and titled Untitled. They exemplify Graham’s engagement with art and the role of the artist in classical modernism. At the beginning of the 20th century, the artist was regarded as autonomous, bound only to their work. In today’s context, where almost anything can be declared art and the context surrounding an artwork has moved to the fore, this notion is, of course, obsolete. By painting in the styles of Pablo Picasso and Jean Dubuffet, Graham attempts to regain a long-lost artistic autonomy, but simultaneously creates a paradox. By appropriating other forms of artistic expression, the ideal of autonomy is pushed to the point of absurdity.
Graham’s references to artistic approaches and art-historical debates occupy the space between tradition and its upheaval. The line between affectionate homage and ironic detachment, between serious appropriation and clever satire, often remains indeterminate.
The series also includes: Untitled (2004); Untitled (2004); Untitled (2005); Untitled (2005); Untitled (2005)
