In Natalie Djurberg’s & Hans Berg’s stop-motion film Turn into Me, which features clay figures, a naked woman staggers through the forest before collapsing to the ground to die. Soon an eerily beautiful process of decomposition begins in which the body undergoes various changes and becomes a feast for other organisms. Layer by layer, worms and larvae expose the innards. Scavengers work their way through the thicker lumps of flesh until all that remains is a skeleton, which rises at the end to perform a modern danse macabre. Hans Berg’s cheerful score stands in stark contrast to the film’s extreme imagery. With Turn into Me, Djurberg & Berg are able to transform the taboo of death into a story that imparts a sense of solace with its examination of the eternal cycle of coming into being and passing away.











![© Rosemarie Trockel/VG BILD-KUNST Bonn, photo: Joseph Loderer [Translate to English:] Seite eines sechsteiligen Portfolios: Ein Kalenderblatt für April und Mai, oben das Motiv einer toten Fliege, darunter die Kalendertage.](/assets/sammlung-goetz/_processed_/e/8/csm_rosemarie-trockel-ohne-titel-1995-2-sammlung-goetz-muenchen_1a298bdd12.jpg)





























![[Translate to English:] © Mario Merz/VG BILD-KUNST Bonn, München, photo: Barbara Deller-Leppert](/assets/sammlung-goetz/_processed_/9/b/csm_mario-merz-anfibio-1982-sammlung-goetz-muenchen_9a6e3617b8.jpg)








































![[Translate to English:] © Isaac Julien Close up of a pair of black dancers: A man stands behind a woman and looks at her neck](/assets/sammlung-goetz/_processed_/9/f/csm_isaac-julien-three1996-99-sammlung-goetz-muenchen-2_98045aa43d.jpg)























































































